A few things that we’ve got on our screens right now:

Nazli Dinçel, Instructions on How to Make a Film (excerpt)
John Gibbs, Backlot Connections
İpek Gürkan, Yeşilçam’s Uncanny Mansion
Rachel Maclean, Eyes to Me and Again, and Again and Again
Melanie Bell and Catherine Grant, Making Fiction Flow
Nobunye Levin and Palesa Shongwe, Reverie (now available in full when you subscribe to Screenworlds free newsletter)
Allyson Mitchell, If Anyone should Happen To Get In My Way (excerpt)
Mathias Bonde Korsgaard, The History of Music Video in 169 Seconds
Michelle Duxbury, [on becoming a ghost…]
Richard Langley, Slow Folk (AP notes: The Detectorists! Poppy fields! The worst lemonade of all time! HOW FRIENDS QUIETLY LOVE EACH OTHER)
Adam Curtis, Shifty

A few things that we’ve had on our screens and still occupy our tabs:

April 2025
Pavitra Sundar, On Listening
Katarzyna Paszkiewicz, Environmental Time
Elaine Shemilt, Doppelganger Redux 2016
Desirée de Jesús, The Black Ecstatic
josh (with parentheses), You are a better writer than AI. (Yes, you.)
Lého Galibert-Laîné, Oswald Iten and Jialu Zhu, Project
Captured by Sam, Why We Shoot Film
Phoebe Pua, How to Cook Marlina’s sup ayam
Lara Callaghan, The Senses of The Silence of the Lambs
Libertad Gills, Aging Faces, Voice, and Barbara Steele’s Revenge
Owl Kitty, Twilight with a Cat

September 2024
Viktoria Paranyuk, Still Lives of Jeanne Dielman
May Santiago, Aubrey Plaza: Screen Stars Dictionary
Catherine Grant, On Drill Team and the Musicality of Videographic Criticism
Barbara Zecchi, Uncontaining Horror: 20th-century Spanish Women’s Meshes of Fear
Onyeka Igwe, A So-Called Archive

June 2024
Quan Zhang, kwAIdan
Maryam Tafakory, chaste/unchaste
Yhara Zayd, So you want to cosplay poverty
Tracy Cox-Stanton, Gesture in ‘A Woman Under the Influence’
Ariane Hudelet, Succession’s Geodrama
Veronika Hanáková, Martin Tremčinský, Jiří Anger, Cycles of Labor: In the Metaverse, We Will Be Housewives
Jen Proctor, Nothing a Little Soap and Water Can’t Fix
Ami Nisa, Splitting
Rikita Kaushik, Indians from 1967: A reaction
Julianna Schley, Splash