Supercut: Quan Zhang

In this supercut, I look at the exclamations (or ad-libs, as the music industry would call them) in K-pop music and music videos. They are sounds (or language) yearning to grow and fill space; however, by limiting their natural expansion through supercuts, it should provoke a unique bodily response and deliver a space (or metaverse??) […]

Supercut: Quan Zhang

Supercut: Jeffrey Romero Middents

A supercut tracing the points in Alfonso Cuarón’s Children of Men where the camera stops following the main character and diverts to something outside the film’s explicit narrative. Note: after completing this exercise, I discovered there is a 7th instance (right before Janice is killed). Crafted in Summer 2023 to fulfill the “Embodied Supercut” exercise […]

Supercut: Jeffrey Romero Middents

Supercut: Joel Burges

Initially, I used various levels of opacity to create a much more sentimental supercut about masculine movement and gay desire. I also excerpted a song from “Call Me by Your Name” that emphasized sentimentality (see embodied supercut #1). But then I decided I wanted to do something more formal than felt, restricting myself to the […]

Supercut: Joel Burges

Supercut: Colleen Laird

I made this video in preparation for attending the “Embodying the Video Essay” workshop at Bowdoin College in July, 2023. The exercise, designed by Dayna McLeod, had a list of parameters with the aim of re-familiarizing participants with the main media object they would explore during the workshop. Details about the exercise can be found […]

Supercut: Colleen Laird