Ways of Doing

Play Nicely

Menu
  • About
  • Resources
    • Embodiment Exercises
      • Embodied Supercut
        • Embodied Supercut examples
      • Embodied Sound
        • Embodied Sound examples
      • Onscreen Cameo
        • Onscreen Cameo examples
      • Embodied Media Encounters
        • Embodied Media examples
      • Taste and Smell
        • Taste and Smell examples
    • Feminist Citational Practices Exercises
      • Found in Transition: Catherine Grant’s Dissolves of Passion
        • Found in Transition examples
      • Dis/Re/Orienting Cinematic Language: Barbara Zecchi’s Feminist Mechanisms
        • Dis/Re/Orienting Cinematic Language examples
      • Making Materiality Matter: Johannes Binotto’s Art of the Process
        • Making Materiality Matter examples
    • Examples of Every Exercise
  • Team
  • Cite
  • Newsletter
  • We’re Watching
Theme: Electa by Kaira

Supercut: Will DiGravio

Posted on December 7, 2023December 19, 2023 by video-essayist
FLUSH: A Supercut on George Kuchar’s WEATHER DIARY 1 (1986)
Posted in Embodied Supercut, ExerciseTagged Embodiment, supercut, Will DiGravio

Post navigation

← Supercut: Alison Peirse
Embodied Sound: Jeffrey Romero Middents →
Skip to content
Open toolbar Accessibility Tools

Accessibility Tools

  • Increase TextIncrease Text
  • Decrease TextDecrease Text
  • GrayscaleGrayscale
  • High ContrastHigh Contrast
  • Negative ContrastNegative Contrast
  • Light BackgroundLight Background
  • Links UnderlineLinks Underline
  • Readable FontReadable Font
  • Reset Reset