For publication in a forthcoming In Media Res special issue, Hollywood Film Style and the Production Code: Criticism and History, edited by Tom Brown. The formal parameters for this video essay were taken from ‘Dis/Re/Orienting Cinematic Language: Barbara Zecchi’s Feminist Mechanisms’, one of Feminist Citational Practice exercises devised by the Ways of Doing collective (Lucy Fife Donaldson, Colleen Laird, Dayna McLeod and myself). You can view the exercise, and our other videographic resources, here: waysofdoing.com/resources/