Made for the Ways of Doing ‘Conceptual Epigraph’ videographic exercise, using All That Heaven Allows (1955), Priscilla (2023) and I Saw the TV Glow (2024). Inspired by the writing of Maryam Tafakory, accompanying ‘Chaste/Unchaste’, and responses from Catherine Grant and Maria Walsh. This is part of a series of exercises exploring feminist citation designed by […]